Reading Response





Reading Response

Sol LeWitt in his discourse Wall Drawing no.541 notes that in conceptual art a concept or idea is the basis of artistic work. He referred to the importance of planning and decision-making in conceptual art, such that the idea morphs into a process that makes artwork. I addition this was also part of a response to the subjectivity arguments in Abstract Expressionism, with conceptual art moving towards objective strategies in making of art (Merleau-Ponty and Lefort 33). LeWitt noted that such a process utilized systems that would generate artworks whereby predetermined mathematical calculations influence the composition and sequence. The Wall Drawings that LeWitt embarked to develop in the year 1968 illustrate the interest by he artist in objective and systematic development of artwork.

Sol LeWitt utilized ratios, lines, patterns, permutations and formulas develop his wall paintings and modern structures. It is apparent that LeWitt was focused on objectivity in his works rather than subjectivity (Lewitt 25). Lewitt utilized permutations within his various conceptual plans with an aim of enhancing and extending his ideas beyond their limits. Using permutations, he was able to expand objectively. He also claimed that planning and decision-making was a sure means of ensuring that he avoided subjectivity in his drawings and architectural works. using an elaborate plan, it would be relatively easy to design the work resulting in the finite or infinite plans. In both incidences, each individual artist would be provided with an opportunity to make selection of the basic rules and forms that would govern the art process and more so the development of appropriate solutions to existing problems. It is apparent that LeWitt valued mathematical calculations and geometry over subjectivity in his claims that planning enabled him to avoid becoming subjective.

Works Cited

Atkinson, Terry, Paul Maenz, and Gerd . Vries. Art & Language. Schauberg: M. DuMont, 1972. Print.

Lewitt, S. “Sentences on Conceptual Art.” Archis. (2004): 25-27. Print.

Merleau-Ponty, Maurice, and Claude Lefort. The Visible and the Invisible: Followed by Working Notes. Evanston Ill.: Northwestern University Press, 1968. Print.

How to place an order?

Take a few steps to place an order on our site:

  • Fill out the form and state the deadline.
  • Calculate the price of your order and pay for it with your credit card.
  • When the order is placed, we select a suitable writer to complete it based on your requirements.
  • Stay in contact with the writer and discuss vital details of research.
  • Download a preview of the research paper. Satisfied with the outcome? Press “Approve.”

Feel secure when using our service

It's important for every customer to feel safe. Thus, at Supreme Assignments, we take care of your security.

Financial security You can safely pay for your order using secure payment systems.
Personal security Any personal information about our customers is private. No other person can get access to it.
Academic security To deliver no-plagiarism samples, we use a specially-designed software to check every finished paper.
Web security This website is protected from illegal breaks. We constantly update our privacy management.

Get assistance with placing your order. Clarify any questions about our services. Contact our support team. They are available 24\7.

Still thinking about where to hire experienced authors and how to boost your grades? Place your order on our website and get help with any paper you need. We’ll meet your expectations.

Order now Get a quote